
ABOUT THE ARTIST
Gail Rothschild collaborates with museums internationally creating paintings that breathe new life into archaeological fragments. Over the course of a long career, Rothschild has become intimately familiar with the effects of time and decay on art. After graduating from Yale with a BA (cum laude), she embarked on a peripatetic career creating site-specific sculptural installations for colleges and museums. From Jeffrey Lord Amherst and Biological Warfare at the University of Massachusetts to Margaret Bourke White’s clandestine steel mill photographs for Cleveland, each one addressed an under-recognized aspect of local history. A few public sculptures such as Muted Belles for the University of Memphis were permanent, while her finalist design for a Boston Women’s Monument remains un-built. Most of these commissions, however, for institutions such as the Bronx Museum, and the Socrates Sculpture Park were impermanent, or even destroyed by the artist at the end of installation, simply due to the cost of transporting and storing their elements.
Muted Belles, 1994, University of Memphis
Burning the Jungle, 1988, Bronx Museum
From 2023-2025 five monumental portraits of a much-decayed 13th c. manuscript in the collection of Williams College were exhibited there together with the book that inspired them.
Rothschild’s current project with the Metropolitan Museum Cloisters celebrates the conservation of an important series of early 15th c tapestries. It was presented at the museum as a work-in-progress in April 2025
Rothschild continues collaborations with the Israeli Antiquities Authority, and the Museo Egizio in Torino. Conference presentations include Textiles of the Nile Valley in Antwerp and The Color Blue in Ancient Egypt and Sudan in Copenhagen.
Her solo exhibition, Portraits of Ancient Linen, can be seen at the Standard Space Gallery in Sharon, CT from September 6th to October 12th.
Gail at the Think Big! installation at the Bode Museum, Berlin
Considering her role in the construction and destruction of her own work, and her interest in the ancient world led Rothschild to the Odyssey and Penelope’s cycle of weaving and un-weaving. By utilizing archaic textiles as the subjects of her Portrait of Ancient Linen series, Rothschild alludes to her affinity with Penelope's struggle.
In 2022, Rothschild presented Think Big!, an exhibit featuring 10 monumental paintings at the Bode Museum in Berlin. The portraits celebrated Late Antique Textiles in the museum’s collection and were exhibited alongside the tiny textiles they paid homage to. The catalog featured an essay documenting the three-year collaboration between the artist, curator, Cäcilia Fluck and textile conservator, Kathrin Mälck.
In 2023, Rothschild exhibited three paintings inspired by tapestries from Ancient Peru as part of the exhibition Peru – ein Katzensperung at the Deutsches Textilmuseum (German Textile Museum) in Krefeld, Germany. Two of the paintings represented part of an ongoing collaboration with the Huaca Malena Museum in Peru.
Gail gives a talk at the Metropolitan Museum Cloisters, introducing her Heroes Tapestries series